In one of his earliest films, In Memoriam (2011), a young man so subsumed with the sudden death of a couple, fallen from a roof during the throes of pleasure, conducts his own investigation into their ill-fated demise. While each might tiptoe in a different direction, they maintain a hand in the Stephen Cone universe, imprinted by the same particular humanistic insight. Despite mixed receptions and even more erratic distribution patterns, his collection of films isn’t as motley as one might think.
It is a momentous and wholly deserved occasion then for him to receive a retrospective at the Museum of the Moving Image in New York. Princess CydStephen Cone has been making movies at a steady clip for over a decade and yet remains largely unknown. Stephen Moyer interview: The Gifted, Safe House, True Blood
The article states: “ Ben Affleck was frankly on his way out the door anyway, and Batman will probably get a soft or hard reboot now - I’ve resisted speaking too much about this publicly, but behind the scenes most sources have consistently stated he and Warner were just waiting until after Justice League to make an announcement, so the box office situation will probably expedite that process for them (which, I would guess, will actually be a relief for Affleck and Warner, since I imagine there’s been some stress and frustration for them in However, the most interesting snippet focuses on the continuing saga of Ben Affleck’s future as The Dark Knight. It’s in no way an attack on the Dceu, and finds shards of hope within the darkness gathering around that cinematic universe. Forbes have written a thorough insight into the box-office fallout of Justice League.
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